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The Funicular, the Lighthouse, and the Silence: What Brunate Gives You That Como Cannot

Immagine del redattore: Roberto Cattaneo
Roberto Cattaneo
11 minuti fa
Tempo di lettura: 4 min

Seven minutes. That's how long it takes to leave the noise behind.

The funicular departs from Piazza De Gasperi in Como — a small square just uphill from the lakefront, easy to miss, which is part of the point. You step into a wooden cabin that hasn't changed its essential character since 1894, and the cable begins to pull. The city drops away. The rooftops shrink. The lake, which at water level felt intimate and navigable, becomes suddenly immense, stretching north in a blue corridor between mountains that now reveal their full scale.

When the doors open at the top, the first thing you notice is not the view. It is the quiet. Brunate is a village of 1,700 people with no through-traffic, no commercial district, no reason to be here unless you meant to come. The streets are narrow, paved in stone, bordered by Liberty-style villas built by the Milanese bourgeoisie in the early twentieth century as summer retreats from the city's heat. Many of these villas are still occupied, their gardens overgrown with wisteria and jasmine, their gates open to no one in particular.

The walk to the lighthouse

The Faro Voltiano stands at the highest point of Brunate, a 29-metre octagonal tower built in 1927 to commemorate the centenary of Alessandro Volta's death. Volta was born in Como — his monument stands in the city centre — but the lighthouse that bears his legacy was placed here, above the lake, where it can be seen from both shores and from the Swiss border to the north.

The walk from Hotel Paradiso Como to the lighthouse takes twenty minutes on a gravel path through mixed forest — chestnut, birch, hornbeam. In autumn, the path is carpeted with leaves. In spring, wild cyclamen push through the undergrowth. At the top, if the tower is open, you climb the spiral staircase to a viewing platform that offers what is, without exaggeration, one of the most complete panoramas in northern Italy: the lake from its southern tip to its northern vanishing point, the Swiss Alps beyond, the Pianura Padana stretching flat and hazy toward Milan and the Apennines.

It is the kind of view that does not need a caption. You stand there, and something recalibrates. The scale of the landscape makes your concerns smaller without making them trivial. It is perspective in its most literal form.

What altitude does to a holiday

Staying in Brunate rather than on the lakefront is a choice that changes the texture of every day. The mornings are cooler — genuinely cooler, not air-conditioned cool but mountain cool, the kind that makes you reach for a sweater and then sit outside anyway because the air is too good to waste behind glass. The light arrives differently: the sun must clear the eastern ridge before it reaches the village, so mornings begin in a golden, oblique luminosity that photographers wait years to capture.

At Hotel Paradiso Como, this altitude is not incidental. It is foundational. The thirteen rooms face the lake from a vantage that the waterfront hotels cannot offer, because to see the lake from above is to understand it differently. The pleasure boats become brushstrokes. The ferries trace slow arcs between Bellagio, Varenna, and Menaggio. The villa gardens of Tremezzo and Lenno, invisible from the shore, reveal their geometry from here — terraces of green stepping down to the water's edge.

The heated infinity pool, suspended at this altitude, creates a visual trick that never grows old: the water's edge aligns with the lake surface hundreds of metres below, and for a moment, you are swimming in both. It is theatrical without being staged. The architecture simply placed the pool where the view demanded it.

The village that doesn't need you — and is better for it

Brunate does not court visitors. There is no tourist office, no souvenir shop, no guided tour with a flag-bearing leader speaking into a microphone. There is a village bar, a church, a handful of restaurants, and the funicular. There is also MamaGina Bistrot & Restaurant, which has occupied its position at Hotel Paradiso Como since 1969 and which serves the kind of food that makes you understand why the Cattaneo family never considered opening anywhere else.

The bread is baked here every morning. The pasta is made by hand. The cakes — torta della nonna, crostata di frutta, sometimes a simple ciambellone scented with lemon — are prepared with ingredients that travel from the kitchen garden to the plate without passing through a supply chain. MamaGina's cooking is not farm-to-table as concept. It is family-to-family as practice, unchanged across three generations, rooted in the specific flavours that this altitude and this soil produce.

Eating at MamaGina after a morning walk to the lighthouse and an afternoon at the pool is not an itinerary. It is a rhythm. And rhythm, in Brunate, is everything. The village does not compete with Como for your attention. It offers something Como cannot: the space to stop competing for anything at all.

Brunate & Beyond: 2 nights at Hotel Paradiso Como with a funicular pass and a guided sunset walk to the Faro Voltiano. Book direct on hotelparadisocomo.com.

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