Autumn Colours on Lake Como: A Palette That No Filter Can Improve

The lake has been many colours today, and it is not yet noon.
At seven, when the first light reached the water from behind Monte Bisbino, it was pewter. By eight, as the mist burned off the surface in slow, reluctant spirals, it shifted to a grey-blue that exists in Caravaggio paintings and nowhere in the Pantone catalogue. At nine-thirty — coffee finished, the last crumbs of MamaGina's morning cake still on the plate — the lake settled into a deep, untroubled blue that it will hold until the afternoon wind from the north begins to texture the surface.
This is October on Lake Como. The month when the landscape, having spent the summer in a uniform green, finally shows its full range. And from Brunate, at 700 metres above the water, you see it all — not as a detail, not as a single tree turning gold beside a path, but as a panorama of colour that stretches from the southern basin to the distant peaks of Valtellina.
The chestnut forests of Brunate
The chestnuts turn first. By the second week of October, the forests that blanket the hillside between Brunate and the summit of Monte Piatto have moved from green to a burnished gold that catches the low autumn light and holds it. Walking the path from Hotel Paradiso Como to the Faro Voltiano lighthouse — a twenty-minute climb through mixed forest — is, in October, a walk through a cathedral of amber and copper. The chestnuts fall with a soft thud onto the path. Some guests collect them. Some guests simply listen.
The forest floor, which in summer was a dim green understory, opens up as the canopy thins. Light penetrates in shafts and columns. The air smells of damp earth and decaying leaves and the particular sweetness of chestnuts that have split their husks. It is the smell of every autumn you have ever experienced, concentrated and clarified by altitude.
The vineyards and the western shore
Across the lake, on the terraced hillsides above Tremezzo and Lenno, the vineyards and olive groves are performing their own transformation. The vine leaves turn from green to crimson to a deep burgundy that, from Brunate's vantage point, looks like someone has drawn a red line across the mountainside. The olive trees remain silver-green — they are evergreen, stubbornly so — and the contrast between their cool permanence and the vines' theatrical farewell is one of the quiet dramas of October on the lake.
Below, the lake itself deepens. The summer haze is gone. The water, no longer reflecting a white-hot sky, turns indigo, then navy, then — in the late afternoon, when the sun drops behind the western ridge — a near-black that makes the reflected village lights seem to float on ink. This is the lake at its most photographic, and paradoxically, the month when the fewest photographers are here to record it.
The table follows the season
At MamaGina Bistrot & Restaurant, October means mushrooms, chestnuts, late squash, and the first hearty ragouts of the season. The bread — baked here every morning, as it has been since 1969 — takes on a darker, nuttier character. The pasta is wider, dressed with sauces that cling. The cakes are richer: torta di nocciole, apple crostata with cinnamon, a dense chocolate cake that appears without announcement and disappears without leftovers.
Eating at MamaGina in October is eating in conversation with the hillside. The chestnuts on the plate were falling on the path that morning. The mushrooms carry the scent of the forest floor. The wine — a Valtellina Superiore, perhaps, from vineyards an hour north — tastes of the same mountains visible from the restaurant window. This is not a curated tasting experience. It is a family kitchen responding to what the land provides, as it has for three generations.
The view from the pool
In October, the heated pool at Hotel Paradiso Como becomes something different. The water is still 34 degrees, still warm, still infinite at the edge. But the landscape it mirrors has changed entirely. The mountains wear their autumn colours like a coat they've been waiting all year to put on. The lake is darker, more serious. The occasional yellow leaf drifts onto the pool's surface, carried by a breeze that smells of woodsmoke and cold stone.
Swimming here in October is swimming inside a painting that updates itself hour by hour. The palette at ten in the morning — gold, amber, a pale sky — is entirely different from the palette at four in the afternoon — deep red, indigo, the first violet bruise of evening on the eastern mountains. You do not need an art education to appreciate this. You need only warm water and the willingness to stay still.
October on Lake Como is not the most popular month. It is the most beautiful. And from Brunate, from the terrace of Hotel Paradiso Como, from MamaGina's table by the window, from the warm surface of the infinity pool, it is a beauty that does not ask to be liked. It simply is, quietly and completely, in every colour it can find.
Autumn Colour Package: 3 nights at Hotel Paradiso Como with a guided foliage walk and local wine tasting. Book direct on hotelparadisocomo.com.

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